Free · no sign-up
Name a target, set how hard it lands, and get a battle verse back — then turn it into a real track with a beat and rapped vocals. Built for rap battles, group chats and friendly grudges: the wit does the work, not the cruelty.
For battles and banter. No slurs, no threats, nothing about family or appearance — at any heat. Hear one first →
Type a name, press the button, read the verse. No sign-up, no card, no email — and you can run it again as many times as you like before you keep one.
Most diss track generators stop at the page. Send the verse into the song generator and it comes back rapped over a beat, roughly a minute later, as something you can actually play to someone.
No slurs, no threats, and nothing about appearance, family or protected characteristics — at every heat setting, including the hardest one. The slider moves the edge of the writing, never the boundary.
Yo, the sink got a skyline, you built it yourself, a whole ceramic city where the plates lost their health. You say you'll get to it later — later never shows, that mug's been growing something science doesn't know. I put a rota on the fridge, you called that aggressive, then left a pan out Tuesday like the point was impressive. Four names on the paper, three of them in pen, yours is in the corner getting rewritten again. You cook like a chemist, you clean like a rumour, leave the counter looking like a punchline with no humour. I'm not asking for spotless, I'm asking for a plate that doesn't need a hazmat and a two-week wait. You want the last word? Fine, here's the deal: do them tonight and I'll delete this for real. Till then it's on loop and the beat doesn't stop — sixteen bars of soap and you still will not mop.
Sixteen bars on the "Sharp" setting, aimed at a housemate who never washes up. Your own run takes the name and the beef you type in.
Volume is the amateur move. What actually lands is detail: the thing only you would know, delivered flat. A line that could be aimed at anyone is aimed at no one, which is why "you fell asleep during your own set" beats any amount of generic insult.
So put something real in the subject box. The more specific the beef, the sharper the writing comes back — and the funnier it is to whoever is listening.
Teasing is what you would say to their face at dinner: the joke is affectionate and the target is meant to laugh first. Cheeky sharpens it — still fond, but now there is a point underneath, and the punchlines start landing on the last word of the bar instead of drifting past it.
Sharp is the default and the one most people want. The metaphors get denser, the verse builds instead of listing, and it stops apologising between lines. Brutal drops the softeners entirely and commits to the strongest reading of whatever you typed in the beef box.
Ruthless is written to sting, and it is the one to think about before you send. What it does not do is change the rules: no slurs, no threats, nothing about appearance, family or protected characteristics, at any setting. The slider moves the edge of the writing, never the boundary.
A diss track is not a list of insults with a beat behind it. It is a short argument with a shape, and the shape is what makes people replay it. Whether the generator writes it or you do, the same five things decide whether it lands.
The three get used interchangeably and they are not the same job. A diss track is one-sided and there is real beef behind it, however small: you have a grievance and the verse is the argument. That is what this page writes.
A roast is affectionate by design and the target is in the room laughing — the test is whether they are enjoying it. Set the heat to Teasing or Cheeky and put the habit you are teasing in the beef box, and this page will do that too.
A rap battle is two-sided: two verses, and the second one answers specific lines in the first. That has its own page now — the rap battle generator takes both names, gives each of them eight bars, and ends on a verdict naming the winner. Use it when both people are firing; use this page when only one of them is.
Battle rap has always had rules, and the good ones are self-imposed. Nothing about family. Nothing about appearance. Nothing that a reasonable person would read as a genuine threat. The generator holds those lines and will not cross them regardless of the heat setting.
That is not squeamishness — it is craft. The moment a verse stops being clever and starts being cruel, the room stops laughing and starts feeling sorry for the target. You have handed them the win.
A diss verse on a page is half the joke. The other half is hearing it delivered over a beat with the pause in the right place — and most diss generators stop at the text, which is why so many of them feel like a novelty. Take the verse straight into the song generator and it comes back as a finished track with rapped vocals, usually in about a minute.
If you plan to do that, keep it to sixteen bars and put the strongest line last. Endings are what people repeat. Pick a style that suits the joke as well: old-school boom bap makes a petty grievance sound grand, while drill makes the same words sound like you mean it.